The Nephilim
The child no heaven or hell will ever name.
In the world of Good Omens, the Nephilim are the forbidden offspring of an angel and a demon — a category of being that both Heaven and Hell regard with absolute horror. They are not a faction in any conventional sense: no Nephilim ever takes a seat at a celestial council or wields a pitchfork in a pit. Rather, they exist as a potent *idea*, a spectral possibility whose very name is enough to send tremors through the marble halls of the Upper Firmament and the sulfurous corridors of the Lower Depths. Their significance in the story is structural. The Nephilim are the reason the two great celestial powers maintain their rigid, ancient separation. The fear of what might be born if an angel and a demon were to cross paths is one of the deepest, most personal taboos in the cosmology, and it hangs over every interaction between the two sides like a cloud of brimstone and lilies.
- Nature
- Offspring of an angel and a demon
- Status
- Forbidden by both Heaven and Hell
- Role in narrative
- A forbidden concept that enforces the separation between celestial factions
- First context
- The War in Heaven (referenced in both the novel and the television series)
- Confirmed members in-story
- None appear as named characters
Lore & Background
The Nephilim occupy a strange liminal space in Good Omens cosmology. They are not angels, not demons, not quite human — they are the thing that happens when the two great opposing orders of creation are allowed to mingle. Both Heaven and Hell treat the possibility with the same visceral revulsion that the other side inspires. In the celestial bureaucracy, the Nephilim are the ultimate heresy: a living proof that the War in Heaven was not, in some small and terrible way, a war between absolutes but a war between two kinds of love that refused to be the same love. The concept is tied intimately to the personal history of Aziraphale and Crowley. During the War in Heaven, the angel and the demon shared a brief, furtive encounter — a moment of mutual recognition and desire that both sides would later scrub from their official records. In the television adaptation, this is rendered with more explicit warmth and brevity than the novel's drier allusion. The implication is clear: had that moment produced a child, that child would have been a Nephilim, and the consequences for both celestial powers would have been catastrophic. The fact that it did not — that the encounter remained a single, unrepeatable instant — is what allows the rest of the story to unfold without the immediate annihilation of one or both factions. What makes the Nephilim so potent in the narrative is their absence. They are the thing that is never. They are the question both Heaven and Hell refuse to ask aloud. In a story full of talking books, talking dogs, and a six-year-old who can talk to the dead, the Nephilim are the one character who exists only as a shadow on the wall, a name that makes archangels go very still and demons stop mid-sentence.
In Their Own Story
The war had been going on for six thousand years, and the sky above the battlefield was the colour of a bruise that would never fully heal. Aziraphale had his sword up, his wings half-spread, his face set in the particular expression he wore when he was trying very hard not to cry in front of a colleague. Crowley was three yards away, tail lashing, eyes the exact green of a bottle that had been left in the sun too long. And then, for one second that was not a second, the sword lowered. The tail went still. They looked at each other across the smoke and the screaming and the endless, stupid, beautiful war, and something in the architecture of the universe shifted by a degree so small that no seer in either realm would ever be able to account for it. It lasted a moment. Then the sword went back up, the tail lashed again, and the war resumed as though nothing had happened. But in the deep files of Heaven, a single page was quietly torn out and burned. And in the deep files of Hell, a single page was quietly torn out and fed to the fire. Neither side ever spoke of it. Neither side ever forgot it. And somewhere in the space between the two files, in the margin no one was allowed to read, the word *Nephilim* sat in ink that would not dry.
Reader's Guide
The Nephilim are not an organisation. They have no council, no headquarters, no chain of command. They are a *category of being* — the offspring of an angel and a demon — and their importance in the Good Omens story is entirely negative: they are the thing that must not exist. Their purpose, in the narrative sense, is to be the reason. They are the reason Heaven and Hell maintain their strict, ancient separation. They are the reason the War in Heaven was not merely a political conflict but a personal, almost familial one. The celestial powers do not fight because they disagree on policy; they fight because the alternative to fighting is the possibility of a Nephilim, and that possibility is a wound neither side can close. There is no hierarchy among the Nephilim because, in the canon, no Nephilim are ever confirmed to exist as characters. The concept is referenced in the context of the War in Heaven and the brief, furtive encounter between [[Aziraphale]] and [[Crowley]], but the story never introduces a Nephilim child, a Nephilim elder, or a Nephilim community. They remain a ghost, a what-if, a name that is never spoken aloud in either celestial court. As the plot unfolds, the Nephilim do not shift stance because they have no stance. What shifts is the *fear* of them. The closer Aziraphale and Crowley get to each other across the decades, the more the old terror resurfaces in the background, unspoken, like a crack in a wall that no one will point to but everyone can hear. The Nephilim are the story's unspoken centre: the child who was never born, the name that was never said, the reason the two sides keep their swords raised even when they would rather put them down.
Did You Know?
- The Nephilim never appear as actual characters in either the novel or the television series; they exist purely as a referenced, forbidden concept.
- The concept is tied directly to the brief encounter between Aziraphale and Crowley during the War in Heaven, which is rendered more explicitly in the 2019 TV adaptation than in the 1990 novel.
- Both Heaven and Hell treat the Nephilim with the same level of horror, making the taboo a shared one rather than a one-sided prohibition.
- The Nephilim draw on the biblical tradition of the Nephilim described in Genesis 6, where they are the offspring of the 'sons of God' and human women, though Good Omens recontextualises them as angel-demon offspring.
More in Factions & Groups
Elsewhere in the Good Omens universe
Spotted an error? Know more?
This is a living reference — every entry is fact-audited, and reader corrections feed straight into our audit queue. Suggest an edit · See this site's audit record
